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proposed four-hour day. Site

found this blog post Cooking Ideas in proposing the four-hour day, and a queue of more than thirty comments on the subject. Could not add mine, because the queue is closed. I would like to make a link with those people.

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Facebook to adhere to four hours

I just found a Facebook site calling for accession to the journey of four hours. Interesting part in that page and set víncvulo our blog and our Facebook page that has the same goal. http://www.facebook.com/?ref=home # / group.php? Gid = 325041255010 & v = info

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Criticism clouds. If it does not (all) read the same, should we criticize the book as we always? Pearls

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Literary criticism is an activity that has always defined its limits must also continually exceed, the only standard invariab you is that, when critics go beyond its borders, it must do so conscientiously.

TS Eliot, Goethe as learned

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wise According to Wikipedia, "Cloud computing, the English Cloud computing is a paradigm that can offer services computer through Internet . The tag is a metaphor the Internet. "

For will several years, many computer scientists realized that for a lot of capacity and / or speed that showed personal computers, Internet had a power and resources that allowed many complex operations were resolved by extracting the P C or personal Macs and solved by cloud computing. First were the companies, for obvious needs streamlining and shrinking budgets, who took advantage of this possibility. Then spread and there are also social and community applications that have been developed g hanks to the cloud computing.

In a founder article published in Wired in 2006, George Gilder explained that the good thing about tag technology is that its design and operation very similar to the human brain and have the advantage that it happens in the exterior r, the edge of the cloud, the center provides intelligence and improves it, providing feedback throughout the system in the interests of progressive development.

literary Clouds

In our country there are several people that take time to consider this issue in their possibilities des for reading. One of the most active is Javier Celaya, an expert on new technologies and responsible for the portal www.dosdoce.com . The other day hanging Celaya post on his blog on the American platform Copy ( http://www.thecopia.com/home/index.html ) , which I found very interesting . Copy not only allows downloading and sharing books in all formats (Internet, mobile, digital readouts, iPads, etc.) But also share their readings. Presented as a social application, thanks to copy users read a specific book, but also eat tari, underlining or marginal notes made by other readers of the same platform, which can respond and they can add their own. The result is a kind read community, where the assessment and score of other books to help you choose Copy, the tastes of readers who feel a greater affinity or harmony in the light of your comments can guide the next purchase. The overall reading comments on a book gives a new dimension to this, to form a large interactive glosses over some parts of the text or understood as a set. Copy of time no longer works in the United States, it is no coincidence since it is the country with a more active sales market and reading books. But this and other experiences can afford and begin to think about the doors that can open up unexpected possibilities for l to reading and literary criticism.

possibilities for literary criticism

Copy the light I can think of at least two ways in which this or other similar platforms res can be used to expand our old concept of literary criticism and use it in favor of a more hermeneusis current editing and critique tag cloud.

1) The critical edition

editions of books, as you know, involve taking a book Classic or canon and re-publish with a prologue and an epilogue critical scholar, and populate the text notes that expand

or complete, and the interpretation of some obscure words or words borrowed from other languages, or inserting explanatory notes at the bottom. Publishing world is a very notarized and whose procedures, with few exceptions, remain virtually unchanged for decades or even centuries, for not vary too much from the comments of Brocense Garcilaso or first hermeneutics of Góngora. Electronic publishing has improved things, of course, and so there are projects like the Virtual Library Miguel de Cervantes, Cervantes Virtual Center ( here, an example of an edited Becquer Rima) and the Cervantes Project, Texas A & M University, who are preparing an edition of Don Quixote in these terms:

So now we think our project in terms not of a variorum edition but a hypertext file to produce and display a number of issues individual texts from different base, incorporating dynamic different types of variants, multiple scoring categories and levels of critical commentary. [1]

These resources have been a breakthrough for researchers and interested readers, but why stop there, but keep looking ways of working. Now imagine what it would a critical edition cloud. The reader would be reading in your computer, your mobile or ebook the text of any book on your screen and progress could decide what dimensions or notes you want to read or contrast and what not. These notes will be marked with colors or small signs, not to hinder the reading, and once opened can have a free space, running from the mere etymological reference to a line to a whole essay on the importance of that word or that paragraph have for the interpretation of the author. You can include links to other editions, as well as variations and other glosses ecdotics as a possibility.

The issue may be individual, a commentator, or several at once, that overturn each one's vision the same passage, for example. An edition of the Solitudes of Góngora can hypothetically digital version commented out while by Damaso Alonso, Robert Jammes, John Beverley, etc., Each with their distinguished marks or notes color. The player chooses whether to consult a note all or none. You can also add to those presented their own or those provided by members (professional or otherwise) of the reading community, which is what these issues differ from most existing hypertext and electronic editions, which are not social by not allowing interactivity instantaneously (or prevented at all). Doctoral work at universities may include collective editing and tag the same text, where the corpus original enriched the discussions and contributions of all. A symposium on Borges narrative can end up being a digital edition of one of the books (if permission is obtained agents) completed and expanded by all participants of the conference with their presentations, most interventions in the debates. This renewed the conservative format of "minutes" of the conferences and seminars. Going further, the issues may include the superposition of two books. I think the Ulysses Joyce and James Joyce's Ulysses of Stuart Gilbert, who could be published together by editing cloud, and in turn improve the joint publication and full of Ulysses anotate of Don Gifford. These metaediciones can take it as far as you want. With the advantage that, when community issues are always in motion, capable of being widened and improved by successive waves of readers and critics, which reveal real-time relevance and strength of a classic or loss of force after time. Faced with all the traditional critical editions, and I think the vast majority of services (I know the UOC and other universities have electronic editions, but I can not access them), these editions can be rebutted tag turn criticized to be placed in community. Likewise, readers can share their notes or those of others in social networks to which they belong, and can set automatic warning systems whenever there is a new post or update.

2) Criticism Cloud : criticism and editing, as new editions, such as version and retaliation.

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Luis de Gongora

While the above explanations seems quite obvious and predictable, I think we have to use your imagination to see how literary criticism can be reactivated, updated, revived and encouraged by these technological possibilities. Criticism has been associated since its birth not so much possibilities of writing as reading. In fact, its historical birth as "gender" itself is often associated with stable and widespread dissemination of the newspaper at a very late eighteenth and early nineteenth [2] . So these tremendous changes taking place in the current form of reading necessarily end up having their influence on the way to analyze the books, since the criticism is not only a second-grade reading, or reading their professional readers read texts.

Of course, all this refers to the critical edition also appeals to criticism since the issue is one of their means. But you can create other forms of connection between text and criticism through the cloud.

Unlike traditional criticism, which creates a new text or different compared to the original text, criticism could mean a new tag intervention on existing text. We have, curiously, a narrative example of how critics might work in cloud: the novel Another damn novel about the Civil War! (2007), Isaac Rosa. Rosa It performs a brave retaliation for his previous novel, The malamemoria (1999), which unabashedly criticize interspersed with digressions in the book itself . The mechanism seems to me a unique power to explain what is self-criticism, but critics and even cloud review: Imagine that in addition to Rosa could you intervene own text, paragraphs of comment The malamemoria , but also comment on Rosa's comments and the comments other readers, and even Rosa potential comments to the comments of his comments. It would be a jungle, yes, but the result is just what criticism tries: see , clarify meanings, links, context, discourse on what has been written, either to settle their scope or to broaden their horizon of understanding. Now, imagine that all this material created from the novel-origin can edit, share, comment, rate it, discuss it or continue extending to infinity in a small, large or huge community of interested readers. This madness, this impossibility, this wonder, these wild writing will criticism cloud.

But we keep thinking about other ways to expand the critical field. One of them, also through the options tag, allow publishers to provide enriched versions of his books, as a second special edition, where the sheer volume in the electronic version incorporates reviews considered particularly valuable on text. In recent times have been released expanded versions of texts year Tangier next , Ramon Buenaventura (electronic edition), or The century traveler , Andrew Neuman (paperback copy), supplemented by texts coming of the authors and others, relating to the original editions. In the case of Buenaventura even include essays and interviews with the author about the novel. This textual enrichment contributes to a horizon of meaning on the texts, in principle, the critical tag should also enlarge the negative or critical reviews, not only favorable, provided that both were interesting. Would edit various forms of criticism within the electronic edition, but it's interesting that when the review relates to specific paragraphs or passages of the book, can be accessed from them. For example, when there was an influence, appointment or intertext not clarified by the author of the original work, it could make a mark on the place and make this clear in a footnote. The critical intervention could also be extended to link certain digital content to clarify or expand what is written. Just as in this blog we posted the video of Dan Graham referred to DeLillo's novel Omega Point in our review of the work, this can be done in the third generation digital readers and the reader can have a clear idea of \u200b\u200bwhat the author is referring to the reference. If the work tells of a famous oil painting, can be inserted as quoted the image of it (if rights managers allow it, of course, as always). Here again, readers could highlight, select, comment and share any and all materials incorporated.

Cloud criticism admits more possibilities. Another is the publication of a book commented by a critic. In the same way that deuvedés long supported a version of the film with comments from the director or actors, it is impossible to critical electronic edition of the work to be explaining or commenting on the book. The second reading, allegedly granted, is there in the background, without disturbing the first. Only when the reader would appear, perhaps in the margin or underprinting, critical reading, which would be particularly suitable for rereading the book or reading research.

When it comes to desktop publishing (ie, the ability to edit the book itself without intermediaries) through the web, always appeals to a big problem: the disappearance of the editor, not only removes the "print", but and also fundamental form vanishes the person who takes care of editing, revising the text, which detects contradictions peering through the writer, who provides balance and debug everything from the structure of the work to the syntax. A good editor is the best possible fit of a writer, as you know all those who have been fortunate to have one or more good. Desktop publishing, by contrast, relies a final touch to the person making the finish first, which is always dangerous, either because the authors do not have the necessary self-criticism or because they lack the necessary knowledge of their language (which happens more than is desirable, unbelievably). The figure of the critic might be a solution to this problem as something of a good editor is the first critical of it. If a writer publishes on its website its own work without intermediaries make us suspicious, but if that issue is supported by the comment of one critic recognized tag, restore the confidence of the reader, since then is the critic who prestige is at stake next to the author.

Another possibility would be the critical issues , that without the academic rigor expected in a critical edition, prepared a critical comment to a constant work or a figure who knows the background. I think in an edition of Bolaño made by Echevarría, or a Julian Rios made by Julio Ortega, in which even personal comments and join the non-literary text, dramatically expanding the horizon of reception and understanding. Many critics or writers have written memorable pages recalling how this or that friend wrote certain paragraph or motive or character of their works. These texts or similar charge to that effect, could be another way of reissuing classic or unpublished texts with a greater incentive for potential buyers. An edition of Hopscotch where twenty or thirty known writers tell how they lived the first encounter with certain phrases, paragraphs or characters, annotated glosses on the book itself, would be a wonderful way to reread the novel by Cortázar.

These are some of the possibilities that have occurred vuelapluma me, but surely there are more. As many as readers or as books. The critical tag puts us at the door of possibilities that had not previously even dreamed of. At this critical-defended network and critical-blog now joins excess cloud has the advantage of being democratic and horizontal, eliminating hierarchies and giving at least the discursive and technical instruments to bring them into question. Books had never been so free, nor literary criticism. If, as the great Cyril Connolly, "The aim of the critic is revenge on the creator" now has the tools to make up for the revenge of him, and that to increase his every paragraph, every sentence, every work of each writer. And we, as readers, means to take revenge on one another. Or applaud, of course.

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[1] See Eduardo Urbina, Richard Furuta, Rajiv Kochumman and Erendira Melgoza, " The electronic edition variorum of Quijote: progress and current status ", Cervantes Project, Center for the Study of Digital Libraries Texas A & M University, available at http://cervantes.tamu.edu/pubs/AC-Roma1.pdf .

[2] TW Adorno, "On the crisis of literary criticism, literature Notes. Complete Works, 11 , Akal, Madrid, 2003, p. 642.

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What pearls still are heard and hunted in notebook this weekend during the Festival Jan Madrid. To be copied to vuelapluma may not be completely literal, but it certainly has not betrayed in any case its interesting sense.

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The novel is going in the middle of the archetypes.

Blanca Riestra

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not talk about countries.

Rodrigo Fresán

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digital camera you much about the sitter. When viewed on the screen grow and feel more comfortable.

Isabel Muñoz, a photographer

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now being written and translated, with a white voice.

Guillermo Saccomanno

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The body is like a book and has many readings.

Isabel Muñoz

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There was a time when writers were less concerned about being busy and doing.

Rodrigo Fresán

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If one thing leads to another, forget it.

aphorism quoted by Jordi Doce VLM during his talk

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Twitter user is a researcher.

Domingo Sánchez-Mesa

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because I try to isolate the character is important for me space, when space talks too much, the character loses importance.

Isabel Muñoz

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I've always been attracted little English novelistic tradition.

Ricardo Menéndez Salmon

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When theorists come to mass culture, often late.

Guillermo Saccomanno

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The novels are written because doubt about the slogans on the news, on the meaning of life.

Rafael Chirbes

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Lord, do not push the door open to the other side.

Someone from the organization VLM

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What builds our identity is not only what they hear or read it, especially in contemporary man, what we see.

Ricardo Menéndez Salmon

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The city is often not the priority setting of the novels (...) Urban Landscapes (...) are on all an excuse to own the places and physical return of the city space.

Elvira Navarro

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production processes textual materials can not be considered in isolation from its contents: the communication support structure and conditions the speech.

Laura Borras

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A novel is an investigation, to begin an exploration of the author.

Rafael Chirbes

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Serial Chicken [twitter Europe's first novel] is not only a game all about the environment, but also with gender.

Domingo Sánchez-Mesa

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VLM: Excuse me, are the toilets?

Someone: Are you in them.

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In fiction, if you do not want to be a witness, you become a symptom.

Rafael Chirbes

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The human freedom will be gained by reducing the working day.

reproduce an interview published the newspaper "El Universal", although correction: I put "human being" where they have placed "man" to avoid gender bias.

"In his Manifesto of the century you expose the need to reduce working time. Any politician has taken up this idea?
"No, none. In 1932, Bertrand Russell raised the four-hour day. Russell I am following in my approach, albeit with a different rationale. I wish I had someone to raise the four-hour day, but so far there is not. However, a phrase I always quote from Eduardo Galeano is the saying "what these machines if it is to work less."
"The disproportionate increase in technology the progress of the digital age, should give us more freedom, but we still have this primitive in use, then how can we manage this gap exists?
"That is precisely the problem. Marx felt and intelligently put it when he says that "the machine, which should serve to free the man, becomes in the hands of capital, the very opposite: a tool to enslave." And when it enslaves, it alienates.
- Is that why jornda preaches four hours?
"Yes." I am convinced that by reducing the working day, not only will we solve the economic problem of humanity, but also the problem of life, culture and human freedom. Let's take a step to change things and make the human being can be free.
But how much chance we have for all that has a landing Marxist utopia in reality?
"Well, do not call Marxist utopia, because in reality the reduction of working hours can be accepted and understood by many people without being Marxist. It's a matter of common sense and common sense.
- humanistic Utopia, then.
"Could be. I answer: it is perfectly possible to do so, and is very simple. We are very close to that.
- How?
"It's about everyone to agree. In that sense it is paradoxical, because it is simple yet complex. But it has to be a universal struggle. If it already did in 1919 when it quickly spread throughout the world strikes for the eight hours and were conquered, is much more feasible now than then.
"But, at that time people lived a life much more communal. Today, technology has identified the people and that has affected the collective, to the community.

"No, I do not think the technology that has separated people, is the economic system. Look, in France There is a general strike, people start to protest in spite of the disunity and individualization you say. These strikes are taking place in Europe could be the preamble of a new May 68. If at the time, labor and student movements had known what they wanted, he would have won something.
- Do not know what they wanted?
"No, because they have a concrete demand. The claim failed to raise them at that time was the day of four hours, the equivalent of eight hours of 1919. If they had raised, that movement had come to victory and we would be in a society far better than dark swamp in which we are now. Today there may be another May 68. The story evolves with leaps, from time to time a jump occurs is kind.
- And you're already seeing that leap?
"No, no. It would be premature to say. We are in what could be the eve of a rebellion, but realistically I expect it to occur in about ten years. Hopefully by 2019, one hundred years are met eight hours, we could go on strike for four hours worldwide.
"But it is the corporations that dominate the world because they have economic power.
"Yes, it is. However, there is a force that can deal with all this machinery of corporations.
"And what is that force?
"It's the strength of the proletariat. The great sleeping giant that could change history. As has been asleep, have forgotten him many times, even the leftists deny it now, as Peter denied Christ. However, the proletariat is not buried, is asleep.
- How waking thought?
"That's the difficult while it easier. Only opaque glass that prevents us from seeing the other side is a better world. The issue is to break the glass. We are in a swamp and on the other side of the glass, there is a garden. Also, what are the corporations when people stop going to work? Because there is no capital but with the work of the people. The power is in us.
-Don Carlos, what do you think of communism in Cuba? Do you think that is envisioned by Marx?
-No. from the Marxist point of view can not be argued that Cuba, Russia and China are the socialism that Marx wanted. The very theory of this great philosopher proves it. but I will not fall into the simplistic to say that I condemn Cuba. It is a country that has made a revolution in the conditions it could. That is not socialism, nor was what happened in Russia, that was an invention Stalin. Socialism is the realm of freedom.
- Cuba is closed to investment, what is your opinion on this point?
"We've always sold the idea that things will be solved by attracting investment. You have to let investment comes with its benefits, they say. But the truth is that investment is the result of relocation. Ie what you pay here in Europe they paid three times, and another country when needed with much lower wages, investment will go, because no other country will miss saying "I do it for less." So that degrades and humiliates people, all to attract famous investors. And that has to be, they say.
- Would cartoons against those who communicate with their thinking?
"Why not. For example, if Susan Villa came to the hall and make mistakes, I would. What saddens me is that there are people I know and with whom I agreed on some things, and after cartoons against them bother.

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The four hours

For years, social forums have been saying "another world is possible", but have not told us how to get out this horrible world we're stuck to get that other. If you do not find a way out of this dark swamp, continue whining "another world is possible" for decades, and nothing changes.
The four-hour day, is precisely the tool that will allow us to break the opaque glass that keeps us confined to this insane system, to realize that on the other side of the glass, is that world, dreamed that garden, the that we can access a peaceful, free and immediate, all citizens of the world.

In one hour and four minutes, this video how. Do not miss it! The conference on the day of four hours you can see the whole and a single pull on vimeo . Dura one hour and four minutes, is illustrated with animated graphics and gives a fuller explanation of the benefits of reduced working hours, including responding to questions commonly made public in this regard.

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Eñe

are several people who ask me the reason for not updating the blog. The answer to the question is vague, inaccurate, not update it from time to time I need to get carried away, leave me. There are periods of the year I feel like doing nothing of immediate benefit, be absolute and Epicurus unproductive, and surrender to the pure pleasure of reading. Read without thinking of a review or an article, read in any order, no ultimate purpose, without ceremony. So I made these last few weeks, rereading Ferdydurke , which had not been back long ago, for the pure pleasure of enjoying the contest by a literary form itself. I also read with pleasure the odd funny novel Tutu (Blackie Books), written by a certain Princess Sappho surely hides a French editor XIX. Leo restless at times the daily running of Werner Herzog published Blackie also Books, The conquest of the useless. rush, in short, that joyful series of readings that are not directed to nothing but themselves, books on their shelves waiting for months, waiting for his short time; books that work will not arise, but sensations. Some will say that reading should always be that, but it is true, I know that soon the body will ask me reading less dilettantes and mind again prompted me to take action. Not all read alike. Some read for pleasure, others for business, others for work. Here we read for free, disinterested, as part of a lifestyle. An existence where theory is at the core of understanding the world. But it is not necessary to be prepared always, sometimes you have to relax, upgrade parking and connect to run. There we go.

In reparation, sorry.

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